RAZOR’s interface draws on familiar concepts from ‘traditional’ synthesizers.
Reverb per-partial – the reverb tail follows pitch.Dissonance – from modulating single partials to compressing the whole sound.Creative filters – variable slopes and boosts.Here are some examples of what’s possible in RAZOR:
NATIVE INSTRUMENTS RAZOR VST SOFTWARE
This gives RAZOR an up-front, high-resolution sound, unmistakably different to other software synthesizers.Īpart from outstanding sound quality, the level of control in additive synthesis provides a host of new possibilities for shaping sound. Everything you hear – the filters, the stereo imaging, even the reverbs and delays are created by manipulating these individual sine waves. RAZOR’s additive engine consists of up to 320 partials. The resulting sound remains clear and precise at all times, even when heavily modulated. In additive synthesis, the sound is constructed from partials – single sine waves firing in parallel, changing amplitude and even frequency over time. So shake off the virtual analog dust – go additive and sharpen your studio cuts with RAZOR. Easy-to-use subtractive controls and unique visual feedback.
Extreme sonic flexibility and morphability for boundless sound design.Detailed, dynamic additive synthesis – sharp as a RAZOR.Created by maverick Berlin producer Errorsmith in partnership with Native Instruments, RAZOR’s approach to additive synthesis is pragmatic and musical – providing detailed control without sacrificing usability. Discover cutting edge sound design with unparalleled dynamics and a precise sound identity suited to tense basses, bristling leads and shifting, sci-fi soundscapes. The groundbreaking additive synthesis powerhouse, RAZOR delivers powerful sound and cutting edge sonic control.Īt the vanguard of additive synthesis, RAZOR delivers character like no other.
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